One year before his death, Franz Kafka saw in one of Berlin's park, Steglitz City Park,a girl who was crying because she had lost her doll by Caitríona Ní Mhurchú 2011, p. 59-73, ISBN 978-3631611333.A wonderful adaptation of the story Kafka and the Doll Travelerwritten by the Spanish writer Jordi Sierra i Fabra. Reiner Stach: Kafka: Die Jahre der Erkenntnis, S.Peter-André Alt: Franz Kafka: Der ewige Sohn.Roberto Calasso: Die verhängte Herrlichkeit in Franz Kafka.Kafka: Die Jahre der Erkenntnis (in German). 'Der Weg in die Ewigkeit führt abwärts / Roland Reuß kramt in Kafkas Zürauer Zetteln' (in German). ^ a b Apel, Friedman (28 August 2012).Franz Kafka Die Zürauer Aphorismen (in German). 106 Zettel auf Einzelblättern, Stroemfeld Verlag, Frankfurt am Main, 2012. Nachgelassene Schriften und Fragmente II. Roberto Calasso, Suhrkamp Verlag, 2006, ISBN 978-8-3. Apel sees here and in other aphorisms refined deconstructions of certainties ('raffinierte Dekonstruktionen von Gewissheiten'). It seems designed more to make one stumble than to be walked.) He points out, that right after evoking an artist on his way to truth, full of danger, Kafka turns to the small scale, even to humor. Es scheint mehr bestimmt stolpern zu machen als begangen zu werden.' (The true way goes via a rope, which is suspended not high up but just above the ground. He quotes the aphorism printed first in Brod's book: 'Der wahre Weg geht über ein Seil, das nicht in der Höhe gespannt ist, sondern knapp über dem Boden. In a review of a 2012 edition of facsimiles of the Zürau Aphorisms, Friedmann Apel sees wording similar to the later novel The Castle, which seems often to be addressing Kafka's father. Reiner Stach remarks: 'Much remains fragmentary: again and again, scattered sentences that trail off into nothingness, between them formulations that erupt like aphorisms, imagistic and compelling, once more interrupted by searching motions, diffuse and breaking off unmediated - which Kafka rigidly separates from each other with slashes.' Peter-André Alt notes in his biography: 'Again, the negative dimension of Kafka's life term is visible, which remains supported by the view that the individual must inevitably be caught up in self-deception, lies and deceit, if it seeks to improve its earthly situation.' The individual aphorisms are not related to each other some have a narrative character, others present images or parables. The philosophical reflections are inspired by the world of ideas of Schopenhauer, namely Die Welt als Wille und Vorstellung (The World as Will and Representation), as well as Kierkegaard's interpretations of the fall of man. They are Kafka's only texts dealing directly with theological issues. The aphorisms are strict reflections on metaphysical topics, dealing with good and evil, truth and falsehood, alienation and redemption, death and paradise. These aphorisms were first published in 1931 by Kiepenheuer & Witsch, under the title Brod had chosen: 'Betrachtungen über Sünde, Hoffnung, Leid und den wahren Weg' (Reflections on Sin, Hope, Suffering, and the True Way). From the notes in these books Kafka extracted 109 numbered pieces of text on 'Zettel', single pieces of paper in no given order. However, he kept diaries and 'Oktavhefte'. Kafka had decided not to do literary work there. He felt very comfortable there and later described his time there as perhaps the best in his life, probably because he had no responsibilities to work, parents and women. His friend Max Brod titled the book 'Betrachtungen über Sünde, Hoffnung, Leid und den wahren Weg' (Reflections on Sin, Hope, Suffering, and the True Way).Īfter he was diagnosed with tuberculosis in August 1917, in order to recover, Kafka moved for a few months to the Bohemian village of Zürau, where his sister Ottla worked on the farm of her brother-in-law Hermann. They are selected from his writing in Zürau in West Bohemia (now Siřem in the community of Blšany) where he stayed with his sister Ottla, suffering from tuberculosis.

The Zürau Aphorisms ( German: Die Zürauer Aphorismen) are 109 aphorisms of Franz Kafka, written from September 1917 to April 1918 and published by his friend Max Brod in 1931, after his death.

Franz kafka quotes about ottla